Jong-du, who has three previous convictions, visits the family of the hit-and-run accident which he served time for, and meets Gong-ju, the daughter, who has cerebral palsy. He is fascinated by her and visits her when she is alone. Trying to reassure and pacify the terrified young woman, he tries to rape her, stopping only when she faints. He left his phone number in her room. To his amazement, she calls and invites him to visit her again. Over a series of clandestine meetings, the handicapped woman and the young man fall in love. However, their love is not one that is understood by anyone else.
LEE Chang-dong began a career in theater in his twenties and then moved on to work as a novelist. He made his debut as a film director with GREEN FISH, a “one of a kind” Korean film noir. If GREEN FISH was an exploration of genre conventions and the real world, he continued his exploration of life and the cinema with PEPPERMINT CANDY, in which he experimented with a narrative using flashbacks, and OASIS, in which he questioned the nature of true communication between people. It was with these latter two films that he received critical acclaim as well as popular success not to mention international acclaim and accolades. OASIS earned LEE and lead actress MOON So-ri awards for Best Director and Best New Actress at the Venice Film Festival. In 2003, he was appointed as Minister of Culture and Tourism. When he was relieved from this official position, he directed his fourth film, SECRET SUNSHINE. The superb performance by JEON Do-yeon as the tormented Shin-ae in SECRET SUNSHINE earned her the Best Actress award at the Cannes Film Festival in 2007. His fifth film, POETRY won the best screenplay award from the 63rd Cannes Film Festival and won the prestigious awards at various national and international film festivals. After POETRY, he will finally meet the audience again with BURNING.
Myung KayNam, CHOI Seong-min, Min-choul, Jay JEON
SEOL Kyung-gu, MOON So-ri
